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Yale Repertory Theatre, theatre management, business models, Strategic planning, Director

Arthur Nacht is the principal of Nacht Theatre Consulting, LLC, a consulting practice specializing in the financial and strategic management of performing arts organizations, especially nonprofit theatres. His primary services include preparing financial statement forecasts and analyses and also designing management information systems. Arthur completed a thirty-year career in corporate finance in 2001. For fourteen years, he was Director of Financial Planning at Packard Bioscience Company. For ten years, he was the principal of Corporate Financial Planning, Inc., a consultancy that specialized in computer-based financial modeling. Past and present consulting clients include International Festival of Arts and Ideas, Long Wharf Theatre, Pearl Theatre and Nonprofit Finance Fund, the latter in collaboration with WolfBrown. Arthur has three management degrees: a BS in finance with honors from Syracuse University (1969), an MBA in finance from Harvard Business School (1971) and an MFA in theatre management from Yale School of Drama (2006).

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Matched on: Yale Repertory Theatre, Director, and business models
Matched on: Strategic planning, speaker, Principal, and business models
Matched on: Yale Repertory Theatre, Strategic planning, speaker, and business models
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Matched on: TCG Business Affiliate, Strategic planning, speaker, and business models

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Schedule

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I'm speaking at:

Arthur Nacht
Thu Jun-17, 1:45 PM CDT- 3:15 PM CDT
Taking Arms Against a Sea of Troubles
Arthur Nacht

Conversations

Arthur, John
Calendar
May 28
Taking Arms Against a Sea of Troubles: About My Breakout Session
"My breakout session is offered in response to the issues raised by London, Pesner and Voss, in the new book, Outrageous Fortune, which describes the economic hardship experienced by most professional American playwrights. Here are four facts to consider: Fact One: The latest TCG TheatreFacts survey independently confirms London’s observations about the low income of playwrights. O..."